JPC Allen

Welcome to my writing pages!  The main focus of this website is to offer writing tips, prompts, and inspiration to writers, no matter what their genre or skill level. You’ll also find information on my published works and the ones in progress. My schedule for posting is:

Monday Sparks: Writing prompts to fan your creative flame.

Thursdays – Writing tips based on a monthly theme

You can sign up for my newsletter in the sidebar. You will also find me on AmazonFacebook, Instagram, Goodreads, Bookbub, and at my publisher’s site, Mt. Zion Ridge Press.

Featured post

Using Taste in Our Stories

Because the sense of taste can only occur in certain settings, writers may overlook it and not take advantage of it where they can. But using taste in our stories can bring a fresh perspective to a scene that is dominated by sights and sounds.

How a meal tastes can show the emotional state of your point of view (POV) character. If your character is eating a favorite food, and someone tells her bad news, she will find the food tasteless or disgusting. Conversely, your character eats something he usually avoids, but he’s in such a good mood, his distaste disappears.

Describing what tastes your character likes and dislikes gives readers insight into her character. If your character is critical or spoiled, then she would harshly describe how certain foods don’t meet her high standards. Or your character may eat something he hates so as not to hurt the feelings of the cook, giving readers clues about his personality. For more on food as writing inspiration, click here.

Words may be compared to tastes. A character makes a confession, and the words taste bitter. He says the name of a loved one, and it tastes sweet. For some people with a rare form of synesthesia, certain words really do stimulate a sense of taste.

Since smell and taste are so closely link, you can bring in taste to give a different spin on a smell. The odor of burning metal leaves a metallic taste. Sweet-scented flowers, the ocean, and fires all have a tastes to them.

HISTORICAL FICTION

Historical fiction has the difficult job of making readers understand a time that they know little or nothing about. Writing about the food of a time period is one way to help readers connect with those distant eras. Because her novels are set during the American Civil War, my friend Sandra Merville Hart tests early American recipes on her website “Historical Nibbles”. Describing food in a historical story tells a lot about a character’s class, ethnicity, and wealth. The lack of food is also a critical component in many historical periods. In Sandra’s novel, A Musket in My Handone of the reasons two sisters disguise themselves as men and join the Confederate army is because Union troops keep raiding their farm for food, and they are barely surviving.

SPECULATIVE FICTION

In many ways, speculative fiction is similar to historical fiction because other genres introduce readers to unfamiliar worlds. Some worlds in speculative fiction are so alien that writing about the food the characters eat makes it seem not so strange after all. In Watership Downwild rabbits in England try to survive while establishing a new warren. Food is always on their mind, and writing about how they think of food draws readers into their world.

ROMANCE

So much of romance centers around food — couples get to know each other going out to dinner, grabbing a cup of coffee, planning a meal where they will meet each other’s families. Liking the same food can be a symbol for showing how well a couple is matched. And if they have very different tastes in food, that can be a symbol that all is not well in their relationship. How they interact through a meal can be a comment on the relationship. In the classic movie Citizen Kanewe watch the disintegration of Charles Foster Kane’s marriage during a montage of breakfast scenes. When they are first married, he and his wife sit right beside each other, chattering away. As the years pass, they sit further and further apart until they sit at opposite ends and eat in silence.

CRIME FICTION

Since I write crime, I have first-hand experience with working food into my narrative. A good way to get characters to discuss a problem, and impart information to the reader, is to have them sit down to a meal. It’s a natural way to slow down the pace and have a thoughtful conversation. Analyzing clues during a running gun battle just doesn’t work.

In any genre, a character’s food likes and hates adds a layer of believability or a quirk, like I wrote about in this post. In the Nero Wolfe mysteries, Nero Wolfe’s gourmet tastes are one of the reason he’s a private detective. He charges exorbitant fees to feed his exorbitant appetite.

How do you use taste in your stories? Or what story uses taste well?

Use All 5 Senses to Describe Your … Road

Since I don’t have a lot of time to write, let alone research, I’ve come to rely on using settings I live in for stories. But sometime, we’re so used to our surroundings that we overlook them. So the next three writing prompts are to encourage you to open your eyes, perhaps literally, to your everyday surroundings, starting with asking you to use all 5 senses to describe your road. Or street. Or avenue. Or alley, as the case may be.

Sit in your yard, on your porch, on your doorstep, or stand on your sidewalk and take the time to let all five of your sense absorb the setting. Jot down what you perceive. Here’s the list for my road.

  • Sight: White bright sunlight. Dark shadows. Pure blue sky. White puffy clouds. Sunlight darkens as thick white clouds pass over it.
  • Sound: Bird calls. Passing cars. Distant traffic. Swish of river. Wind in tree leaves.
  • Touch: Leaves dry from morning rain. Wind on the back of my neck.
  • Taste: Nothing
  • Smell: Dirt. Grass. Thick, lily-like smell of honeysuckle blossoms.

Not use the above perceptions to write a paragraph or paragraphs about this scene. If you know what mood you want this setting to create, then choose the words that will accomplish that. If you’re not sure of the setting’s mood, write the description and see how it makes you feel. I’m going to go for a hint of foreboding, foreshadowing a coming conflict.

The morning was everything you’d want in May–bright sunlight, crystal clear blue skies, white puffy clouds sailing across it like fluffy schooners. The breeze ruffled the ends of my hair as I walked down our gravel drive to get the mail, the deep shadows of the budding rosebud trees tracing wild patterns on the fresh grass. As I reached the mailbox, the shadows melted into each other as a huge cloud blocked the sun. The wind chilled the back of my neck. I opened the back of the mailbox, and an envelope, written in cursive, stood out from the ads and bills.

I’d love to know how you use all 5 senses to describe your road.

For writing prompts on description, click here.

Using Touch in Our Stories

Touch is another sense that writers tend to overlook.  In the story “The Price of Light”, author Ellis Peters brings medieval England to life through the senses and especially through texture. Once I sat down to analyze touch, I realized it encompasses many different kinds of sensation and using touch in our stories will bring extra depth to our descriptions.

Texture

Not only clothes, but everything we touch has some kind of texture, if we think about it. The table I’m eating on, the chair I’m sitting on, the jacket of the woman I brush up against in a crowded mall, the goop my kid just invented in the basement. If the point of view (POV) character is touching something, I can switch from sight to touch to give my description variety.

I’m sensitive to food textures. Regardless of how a food tastes, if the texture triggers my gag reflex, I’m done with it. In fact, I will soldier through food that doesn’t taste good, but I can’t choke it down if the texture is bad. Marshmallows and meringue are two foods with textures I literally can’t swallow.

Air

The temperature and moisture of the air around us is sensed through our skin. So instead of limiting myself to how a snowy scene looks, I will add how the cold makes my POV character feel. Humidity can be described the same way. Instead of writing how the sweat glistens on someone’s face, I will write about how humidity wraps around my skin like a wet quilt. When describing wind, I can switch to how it feels, rather than the effects the character sees or hears.

“Humidity had risen, dogging us like a whiny kid.”

from A Storm of Doubts by JPC Allen

Pressure

Pressure on the skin signals all kinds of emotions. If you want large man to intimidate your small main character, he can press against her, crowding her, trapping her. A squeeze of the hand can mean reassurance, a slap on the back affection or anger, a handshake, depending upon the strength, friendship or fury.

I know I haven’t exhausted the possibilities. What tips do you have about writing about the sense of touch?

“My grip driving the receiver into the flesh of my palm, I spun

away from her.”

from “Bovine” by JPC Allen

For more posts on using the sense in our stories, click here.

How to Use May in a Story

This year, May beats March as my least favorite month. It’s not the weather, which has been warm and pleasant. I think I’m just more than ready to be done with school. But there’s a lot more to May than just praying for the end of the school year. Below are ideas on how to use May in a story.

Mother’s Day

With this holiday, which, by the way, was created by a distant relative of mine, you can explore female relationships within a family.  One approach could be to structure the story over successive Mother’s Days, showing how the celebration reflects the relationships.

Memorial Day

This is another holiday which lead to an examination of family relationships. Your focus can be on those relatives who have served our country or any family members who have passed away. Over the years, my kids and I have traveled with my parents to West Virginia to lay flowers on the graves of my grandparents, great-grandparents, and great-great grandparents. West Virginia is the “Old Country” for my family and I’m so pleased to be able to share this family history with my kids.

I can see short story set at a cemetery where relatives who are estranged are laying flowers on the tombstones. In the process, they talk and become reconciled, burying their antagonism.

Graduation

As a member of the high school band, I attended more graduation ceremonies than is healthy for one individual to endure. But being an observer, rather than a participant, in the ceremony gave me a great position to people watch. You can develop a story where the main character, sitting with the band, makes some discoveries about fellow classmates and their families.

Of course, graduation ceremonies are the perfect way to kick off or end a story about the students who are receiving their diplomas. Since the ceremony is usually serious, writing about one where everything goes wrong would be fun. A thunderstorm threatened my high school graduation, and as the speakers kept talking, the entire student body and crowd in the football stadium watched as the black clouds piled up to the west.

Last Day of School

When I was in junior high and high school, I noticed a change during the last few days or even weeks. Everyone relaxes, at least a bit. The teachers know they can’t teach any more. The kids know the teacher have lowered their expectations concerning learning. My mom would ease up on our night time routine. 

As the evenings in May grew long and golden, I could sense the finality of what was happening. I never regretted a school year ending; I came to hate school by the time I was in eighth grade. But it did seem like a time for reflection, looking back and looking ahead.

This thoughtful time is suitable for a story about a student who has regrets or maybe wants to accomplish something before the year ends, a teacher facing retirement, or a parent whose youngest child is finishing high school.

This day also has enormous writing inspiration for comedy with everyone from teachers to kids marking time until dismissal. Many schools offer a Field Day during the last week, so combining an event like that with the last day provides loads of opportunities for comic complications.

How could you use May in a story?

For more writing prompts for holidays, click here.

Follow My Blog Tour To Enter the Drawing …

… for the prize package in the picture, starting May 4. It includes the two Rae Riley mystery novels as well as the two anthologies in which I have Rae Riley mystery short stories. All the books will be signed. You’ll also win a tumbler full of buckeye candies–they’re chocolate and peanut butter for those of you who don’t live in the Buckeye State– and $25 Amazon gift card.

To enter, comment at the blog stops listed below. The more places you comment, the better your chances of winning. Eight of the stops have interviews in which you’ll learn tidbits and behind the scenes info about me, my writing, and the next Rae Riley novel. If you leave a comment, I’ll be sure to answer it!

Stories By Gina, May 4 (Author Interview)

Book Reviews From an Avid Reader, May 5

Artistic Nobody, May 6 (Author Interview)

Truth and Grace Homeschool Academy, May 7

Jodie Wolfe – Stories Where Hope and Quirky Meet, May 8 (Author Interview)

The Lofty Pages, May 8

Beauty in the Binding, May 9 (Author Interview)

Library Lady’s Kid Lit, May 10

Guild Master, May 11 (Author Interview)

Locks, Hooks and Books, May 12

A Reader’s Brain , May 13 (Author Interview)

For Him and My Family, May 13

Texas Book-aholic, May 14

For the Love of Literature, May 15 (Author Interview)

Debbie’s Dusty Deliberations, May 16

Vicky Sluiter, May 17 (Author Interview)

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